GRENSGEWEEFD 織事｜Weave the Edge

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Tag: migration

9 篇posts

移民｜MigrationMIGRATION

【☞ 移民織事｜Migrant in Palestine】參與介入的可能：翻轉被迫流離失所者的生活空間 Participatory Intervention Reverse The Living Space of Forcibly Displaced People【☞ Migrant in Palestine】 Participatory Intervention Reverse The Living Space of Forcibly Displaced People

自20世紀下半葉以來，由於戰爭、種族衝突、勞動力需求、環境或人權迫害等因素，國際移民逐漸增加，特別是非正規移動之被迫流離失所者（Forcibly displaced people）成為21世紀亟待解決的議題。根據聯合國難民署（United Nations High Commissioner for Refugees， UNHCR）資料，截至2021年，共有8,930萬的被迫流離失所者。現今由於人道主義的響應，有許多跨領域的計畫介入強迫遷移的議題上，試圖透過創造各類參與的途徑，讓被迫流離失所者發聲。Since the second half of the 20th century, international migration has steadily increased due to factors such as war, ethnic conflict, demand for labor, and environmental or human rights persecution. In particular, forcibly displaced people — those who move outside…

移民｜MigrationMIGRATION

【☞ 移民織事｜Migrant in Palestine】淺談巴勒斯坦藝術語彙的家園與抵抗 Palestinian Homeland and Struggle in Arts【☞ Migrant in Palestine】 Palestinian Homeland and Struggle in Arts

領土與人權等議題，使巴勒斯坦透過各種抵抗，來爭取於歷史悠久土地上的主權並為自由抗爭，包含巴勒斯坦藝術家，藉由各類創作，如油畫、海報、行為藝術等，形成一股抵抗力量，傳播於佔領下的日常生活，其形成的藝術語彙成為反思巴勒斯坦問題的重要方式。而巴勒斯坦的政治史可以被描述為一部通過藝術創作和視覺符號進行的鬥爭史。Issues of territory and human rights have driven Palestinians to pursue sovereignty over their historic land and to struggle for freedom through various forms of resistance — including Palestinian artists, who through diverse creative practices such as oil painting, posters,…

移民｜MigrationMIGRATION

【☞ 食物織事｜Food in Palestine】Discuss the role of Palestinian cuisine in identity and collective memory formation for Palestinians 巴勒斯坦飲食如何建構巴勒斯坦人的身份認同與集體記憶【☞ Food in Palestine】 Discuss the role of Palestinian cuisine in identity and collective memory formation for Palestinians

食物是「一種高度濃縮的社會事實」，也是「一種極具可塑性的集體表現形式」（Appadurai，1981，頁494）。本研究從日常飲食與共食（commensality）的概念出發，探討海外巴勒斯坦離散族群在飲食、集體記憶與身份認同之間的關係。食物已成為日常生活中「權利」的縮影：一方面是策略性的（即民族國家體系，例如大規模的壓迫），另一方面是戰術性的（即人民的游擊式抵抗）（de Certeau，1984）。歷史上的巴勒斯坦經歷了眾多民族定居與政權更迭，深受政治與社會分裂、衝突與暴力的影響。飲食文化因此不僅成為家庭、民族國家與身份認同的核心，更成為政治意識型態的媒介，同時也是共同生活、跨越邊界的驅動力。本文以民族誌研究方式，透過訪談、參與式觀察與深度討論，呈現巴勒斯坦離散族群對於巴勒斯坦飲食的觀點，以及這些觀點如何連結個人身份認同與集體記憶。Food constitutes ‘a highly condensed social fact’ and ‘a marvellously plastic kind of collective representation’ (Appadurai, 1981, p. 494). This research project begins to discuss the relationship between food, collective memory and identity for Palestinian diasporas overseas through the concept…

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【☞ 移民織事｜Migrant in Taiwan】Discuss the relationship between place, identity and displacement through the case of mainlander forced migrants of 1949 in Taiwan. 探討1949年來台大陸被迫移民的案例，分析地點、身份與流離的關係。【☞ Migrant in Taiwan】 Discuss the relationship between place, identity and displacement through the case of mainlander forced migrants of 1949 in Taiwan.

Author/ Chi Chu ‘The embodiment of the homelessness refers to the circumstances of the refugees away from ‘home'”, Warner (1994, p.48) ever states. This was also the experience for 'mainlander forced migrants’ in 1949. 1937 to 1960 was the most…‘The embodiment of the homelessness refers to the circumstances of the refugees away from ‘home'”, Warner (1994, p.48) ever states. This was also the experience for 'mainlander forced migrants’ in 1949. 1937 to 1960 was the most chaotic period in…

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【☞ 移民織事｜Migrant in Southeast Asia】The sadness of Southeast Asian migrant workers in Asia 東南亞勞工在亞洲的哀愁【☞ Migrant in Southeast Asia】 The sadness of Southeast Asian migrant workers in Asia

Author/ Chi Chu It is difficult for migrant workers, especially illegal workers, to obtain a better life (Utopia) because of social values and inadequate migrant policy. This reaction paper considers how the restriction of individual sovereignty by biopolitics imprisons migrant…It is difficult for migrant workers, especially illegal workers, to obtain a better life (Utopia) because of social values and inadequate migrant policy. This reaction paper considers how the restriction of individual sovereignty by biopolitics imprisons migrant workers’ bodies and…

移民｜MigrationMIGRATION

【☞ 移民織事｜Migrant in Jordan】約旦：故鄉的花朵是我的寶物 Every flower from my hometown is my treasure.【☞ Migrant in Jordan】 Every flower from my hometown is my treasure.

在約旦，旅行到了第三天，Mutaz問我要不要去RSCN (The Royal Society for the Conservation of Nature)（註一）看看，二話不說地就答應了，說著「Yallah! (يلا) 我們去吧！」On my third day of traveling in Jordan, Mutaz asked me if I wanted to go visit the RSCN (The Royal Society for the Conservation of Nature) (Note 1). I agreed without a second thought, saying: "Yallah! (يلا) Let's go!"

移民｜MigrationMIGRATION

【☞ 文化織事｜Culture & Story】雨過總會天青 After the rain, the sky will always turn blue.【☞ Culture & Story】 After the rain, the sky will always turn blue.

天候總為每趟旅途增添不少驚喜，拿菜餚來說，如油鹽醬醋般為菜色加了不少分。2015年夏天，二度造訪蒙古，盛夏的蒙古，氣候相當舒適與乾爽，但日夜溫差大的氣候型態，到了晚上還是備感涼意。旅途中很幸運地遇到的冰雹，猶記那天驅車前往下一個目的地時，冷不防地聽見敲打在車頂板金「咚」、「咚」、「咚」的聲音，霎時，冰雹灑了下來。擔心著車子的狀況，蒙古友人則淡淡的說著：「沒事！等會就過了！」 我想著：「對耶，擔心什麼！雨過天青嘛！」或許就是因為樂觀的民族天性與崇尚自然的信仰，蒙古順利渡過了民主化時期，雨過總會天青。Weather always adds a certain surprise to every journey — much like salt, oil, and seasoning bring a dish to life. In the summer of 2015, I visited Mongolia for the second time. The midsummer climate was comfortable and dry,…