GRENSGEWEEFD織事Weave the Edge
我們深信最有力量的改變發生在「邊緣」—那是不同世界交會並催生新可能性的地方。在邊界處編織意義，讓不同的聲音交織共鳴。
We believe the most powerful change happens at the edge—where different worlds meet and new possibilities emerge.
→ 文化，是串聯萬物的絲線。Culture is the thread.
在邊界處編織意義，讓不同的聲音交織共鳴。Weaving meaning at the edge, where different voices meet.
01 — PORTFOLIO 計劃
ALL PROJECTS →
REFUGEE WEEK TAIWAN： Compassion The Moments in Our Live｜2023 台灣難民週—推己及人REFUGEE WEEK TAIWAN： Compassion The Moments in Our Live
REFUGEE WEEK TAIWAN：Healing The power of community｜2022 台灣難民週—同舟共濟REFUGEE WEEK TAIWAN：Healing The power of community
Refugee Path & Refugee Week Taiwan ｜難民路徑 & 台灣難民週Refugee Path & Refugee Week Taiwan
2020 REFUGEE WEEK TAIWAN｜Together: Voices across borders｜疫起呼吸：穿透邊界的聲音2020 REFUGEE WEEK TAIWAN | Together: Voices across borders
Move emotion into action ｜從最長的黑夜開始 — 情感邁向行動Move emotion into action
02 — FOOTPRINTS 足跡
ALL POSTS →
【☞ 織品織事｜Textile & Story】藍之呼吸：塞內加爾靛藍與 NuNu 的設計 Breathing Blue: Indigo in Senegal and NuNu Design【☞ Textile & Story】 Breathing Blue: Indigo in Senegal and NuNu Design
在塞內加爾，藍色的氣息穿透織物、記憶與時間而呼吸。從祖先的染料到 NuNu Design，塞內加爾的靛藍如流水般延綿不斷——連結著記憶、身份認同、工藝與文化。In Senegal, the colour blue breathes through fabric, memory, and time. From ancestral dye to NuNu Design, indigo in Senegal continues to flow like water—connecting memory, identity, craft, and culture.
【☞ 檔案織事｜Archives & Story】記憶的裂縫：荷蘭展覽「往昔的騷動」的策展行動與未竟的歷史 The Cracks in Memory: Past Disquiet, Curatorial Actions, and Incomplete Stories【☞ Archives & Story】 The Cracks in Memory: Past Disquiet, Curatorial Actions, and Incomplete Stories
冷戰結束後，新自由主義的浪潮悄悄興起，那些充滿政治激情的藝術行動，逐漸被歷史的洪流所淹沒，甚至被紀念化或博物館化。 Avery Gordon 曾說，幽靈不是過去的殘影，而是當下仍在呼喚我們介入的政治存在。呼應展覽「往昔的騷動」以一種獨特的方式，透過檔案的佈局、脈絡的交錯和敘事的交融，建構出一種「不完整的美學」，轉化成為一個新的政治感知場域，鼓勵人們不僅作為旁觀者，而是記憶的參與者和詮釋者。After the Cold War ended, the tide of neoliberalism quietly rose, and those politically passionate artistic actions were gradually submerged by the currents of history — even memorialized or institutionalized into museums. As Avery Gordon once said, ghosts are not…
【☞ 移民織事｜Migrant in Palestine】參與介入的可能：翻轉被迫流離失所者的生活空間 Participatory Intervention Reverse The Living Space of Forcibly Displaced People【☞ Migrant in Palestine】 Participatory Intervention Reverse The Living Space of Forcibly Displaced People
自20世紀下半葉以來，由於戰爭、種族衝突、勞動力需求、環境或人權迫害等因素，國際移民逐漸增加，特別是非正規移動之被迫流離失所者（Forcibly displaced people）成為21世紀亟待解決的議題。根據聯合國難民署（United Nations High Commissioner for Refugees， UNHCR）資料，截至2021年，共有8,930萬的被迫流離失所者。現今由於人道主義的響應，有許多跨領域的計畫介入強迫遷移的議題上，試圖透過創造各類參與的途徑，讓被迫流離失所者發聲。Since the second half of the 20th century, international migration has steadily increased due to factors such as war, ethnic conflict, demand for labor, and environmental or human rights persecution. In particular, forcibly displaced people — those who move outside…
【☞ 行動織事｜Movements】參與的烏/反烏托邦？The Utopia or dystopia of Participation【☞ Movements】 The Utopia or dystopia of Participation
柬埔寨工作見習週誌第五週：12/27–12/31“I believe that the school must represent present life-life as real and vital to the child as that which he carries on in the home, in the neighborhood, or on the playground.”
【☞ 行動織事｜Movements】都市發展還是重置貧民窟? URBAN DEVELOPMENT OR RELOCATING SLUMS?【☞ Movements】 URBAN DEVELOPMENT OR RELOCATING SLUMS?
柬埔寨工作見習週誌第四週：12/20–12/24Cambodia Job Shadowing Weekly Journal — Week Four: December 20–24
【☞ 行動織事｜Movements】屬於柬式的悠悠日常 The Slow Grace of Cambodian Days【☞ Movements】 The Slow Grace of Cambodian Days
回溯柬埔寨首都金邊發展的進程，深受戰爭和紅色高棉種族滅絕悲劇的傷害，柬埔寨正在逐步重建自己，並經歷了幾年的經濟增長。戰後由於城市發展，20年來，柬埔寨首都金邊的人口增加了兩倍，許多人從外省農村移居，希冀能找到更好的生活條件（？），不幸的是，這些人往往無法在首都支付租金。這些人與他們預期的財富相去甚遠，這座城市正在努力吸收這些負擔不起首都租金的新居民，然而這樣的城市擴大，使得全金邊有近300個不穩定地區，兒童和家庭生活身處極端貧困狀態，且被邊緣化在首都郊區的貧民窟。這個截至2020年擁有1672 萬人口的國家仍然是東南亞和世界上最貧窮的國家之一。“Travel isn’t always pretty. It isn’t always comfortable. Sometimes it hurts, it even breaks your heart. But that’s okay. The journey changes you; it should change you. It leaves marks on your memory, on your consciousness, on your heart, and…