FOOTPRINTS 足跡Footprints
【☞ 織品織事｜Textile & Story】藍之呼吸：塞內加爾靛藍與 NuNu 的設計 Breathing Blue: Indigo in Senegal and NuNu Design【☞ Textile & Story】 Breathing Blue: Indigo in Senegal and NuNu Design
在塞內加爾，藍色的氣息穿透織物、記憶與時間而呼吸。從祖先的染料到 NuNu Design，塞內加爾的靛藍如流水般延綿不斷——連結著記憶、身份認同、工藝與文化。In Senegal, the colour blue breathes through fabric, memory, and time. From ancestral dye to NuNu Design, indigo in Senegal continues to flow like water—connecting memory, identity, craft, and culture.
【☞ 檔案織事｜Archives & Story】記憶的裂縫：荷蘭展覽「往昔的騷動」的策展行動與未竟的歷史 The Cracks in Memory: Past Disquiet, Curatorial Actions, and Incomplete Stories【☞ Archives & Story】 The Cracks in Memory: Past Disquiet, Curatorial Actions, and Incomplete Stories
冷戰結束後，新自由主義的浪潮悄悄興起，那些充滿政治激情的藝術行動，逐漸被歷史的洪流所淹沒，甚至被紀念化或博物館化。 Avery Gordon 曾說，幽靈不是過去的殘影，而是當下仍在呼喚我們介入的政治存在。呼應展覽「往昔的騷動」以一種獨特的方式，透過檔案的佈局、脈絡的交錯和敘事的交融，建構出一種「不完整的美學」，轉化成為一個新的政治感知場域，鼓勵人們不僅作為旁觀者，而是記憶的參與者和詮釋者。After the Cold War ended, the tide of neoliberalism quietly rose, and those politically passionate artistic actions were gradually submerged by the currents of history — even memorialized or institutionalized into museums. As Avery Gordon once said, ghosts are not…