織事｜Weave the Edge

Publishing & Editorial Work｜出版物

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Personal Publication

Hsiao-Chi Chu, The Forgotten Refugee Heritage in Palestine (遊走邊緣的國度：那些被遺忘的流亡行李－巴勒斯坦), Refugee Path, 2023

A friend once described Palestine as being like Taiwan—a place on the margins. After visiting, it felt as though I had only gained a superficial understanding, without truly grasping its deeper realities. This led me to return to Palestine in search of my own understanding of “home” and “identity”…

The book A Country on the Margins: Forgotten Luggage of Exile — Palestine is a collection of ethnographic field notes. It brings together observations made by the author between 2018 and 2023 in Israel, Palestine, and Jordan, documenting lived experiences and real stories encountered along the way. Rather than challenging official histories shaped by nation-states, the work seeks to restore and foreground personal memories and everyday experiences.

Through various mediums—such as food, heritage, and embroidery—the author reflects on the connection between Palestinians and their land, extending the discussion to themes of the individual, the nation, and the idea of home. It further explores the significance of “land connection” in shaping Palestinian identity.

朋友說著巴勒斯坦好比台灣—化外之地，去了一趟，看似了解了些皮毛，卻沒能真正深入了解。於是決定再踏上巴勒斯坦，尋找對於「家」與「認同」的想像⋯⋯

該書《遊走邊緣的國度：那些被遺忘的流亡行李—巴勒斯坦》為以民族誌方法撰寫之田野雜記，內容彙整收錄作者於2018-2023年之間在以色列、巴勒斯坦、約旦的觀察，試圖紀錄期間所遇之真實故事，並非要推翻國家制度下談論的官方歷史，更期待還原個人真實生活的記憶與經驗。同時，作者以各類媒材，如飲食、遺產、刺繡等內容，回應巴勒斯坦人與土地之間的連結，延伸切入「個人」、「家國」、「家園」的議題，延伸思考「土地連結」對於巴勒斯坦人的重要性。

Hsiao-Chi Chu, Travel of the World Heritage—Walking in Israel and Palestine, Taipei National University of the Arts, 2018

This sacred region at the crossroads of Europe and Asia lies along the southeastern coast of the Mediterranean Sea and the northern shore of the Gulf of Aqaba on the Red Sea. Within this area, Israel, the West Bank, and the Gaza Strip are situated to the east and west.

Due to its complex and intertwined historical background, there are currently thirteen UNESCO World Heritage Sites in the region. These have been nominated by Israel, Palestine, and Jordan, including nine sites in Israel, one in Palestine, and three in Jordan.

世界遺產之旅23《漫步聖地：以色列與巴勒斯坦》／朱筱琪 著

這塊歐亞交界的聖地，坐落於地中海東南岸及紅海阿巴灣北岸，境內以色列（Israel）、巴勒斯坦西岸（West Bank）和加薩走廊（GazaStrip）各居東西。因交錯的歷史背景，目前經聯合國教科文組織登錄的世界遺產點共有十三處，分別由以色列、巴勒斯坦與約旦各國申請認定，包括以色列九處、巴勒斯坦一處、約旦三處。

Yue-Rong Wang & Hsiao-Chi Chu, Travel of the World Heritage—Mongolia, Taipei National University of the Arts, 2015

Mongolia is the 19th largest country in the world by land area and the second-largest landlocked country. With a long and early-developed civilization, it is the birthplace of the Mongol Empire—the largest contiguous empire in human history—and has historically served as a key bridge for cultural exchange between East and West.

Mongolia is home to four UNESCO World Heritage Sites, including cultural sites such as the Orkhon Valley Cultural Landscape, the Petroglyphic Complexes of the Mongolian Altai, and the Burkhan Khaldun Mountain and its surrounding sacred landscape, as well as one natural site: the Uvs Nuur Basin.

世界遺產之旅23《蒙古：蒼狼與白鹿的後裔》／王悅蓉、朱筱琪 著

蒙古國是世界上國土面積第十九大國家，也是第二大內陸國家，歷史文明發展早而悠久，曾是人類歷史上最大帝國—蒙古的發源地，為中西文化交流的過繼站，擁有四處世界遺產—文化遺產：鄂爾渾峽谷文化景觀、阿爾泰山脈岩畫群、布爾罕哈勒敦聖山及其周圍景觀，自然遺產：烏布蘇湖盆地。

Editorial Publication

Executive editor, Exhibition Catalogue L’OUVRE 9, ARTouch, 2017

This bilingual (Chinese–English) catalogue accompanies L’OUVRE 9: The Louvre No. 9 – Comic Art Collection Exhibition, a collaboration between the MoNTUE Museum and the Louvre.

It features works, biographies, and interviews of 19 comic artists from France, Belgium, Japan, and Taiwan, along with three essays. Curator Fabrice Douar examines the evolution of comics from popular entertainment to a form of contemporary art, and reflects on the relationship between museums and the “ninth art” through the Louvre’s curatorial practices. Contributions from the publishing field further outline developments in comic styles and offer comparative perspectives across European, Japanese, and American traditions.

本圖錄為國立臺北教育大學美術館與羅浮宮合作之「L’OUVRE 9 打開羅浮宮9號：漫畫收藏展」，採中英雙語精裝設計。內容收錄來自法國、比利時、日本與臺灣共19位漫畫藝術家的作品、簡介與訪談，並包含三篇專文。策展人法布里斯．德瓦從漫畫發展脈絡出發，探討其由娛樂形式轉變為具當代藝術意涵的媒介，並透過羅浮宮的策展實踐，思考漫畫（第九藝術）與博物館之間的關係。同時亦邀請出版社觀點，說明漫畫風格與出版發展，並比較歐洲、日本與美國漫畫在敘事與藝術表現上的差異。

Executive editor, Exhibition Catalogue Yōga: Modern Western Paintings of Japan (日本近代洋画大展), ARTouch, 2017

The catalogue of Modern Japanese Western-Style Painting Exhibition includes several scholarly essays, along with biographies and introductions to the works of 31 participating Japanese artists. Through this framework, the publication revisits the development of modern art in Taiwan, aiming to re-examine its own historical trajectory while continuing to foster dialogue within the broader context of East Asian art history.

《日本近代洋画大展》展覽圖錄共收錄數篇專文，以及日本共三十一位參展藝術家的生平與畫作簡介，以此為基礎回看臺灣的現代美術發展，期待重新爬梳自身的脈絡，並持續開展與東亞美術史的區域對話。

Editor, Exhibition Brochure Yōga: Modern Western Paintings of Japan(2017.10-2018.01), L’OURVE 9 (2015.11-2016.02), 2017 Dreamin’ MoNTUE (2017.04-06)-The Serene Gallery, masingkiay, The13th and 14th  Taishin Arts Award Exhibition(2015.05-2017.07 & 2016.05-2016.07), No No Sleep at MoNTUE －Tsai Ming-Liang Solo Exhibition(2016.03-2016.04), etc.

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